PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 23-05-2016
M.R.Appan
Arasu Voozhiyar Iyakka Varalatril M.R.Appan
தினம் ஒரு ஓவியம் வரைவோம் - 23-05-2016
M.R.Appan
Arasu Voozhiyar Iyakka Varalatril M.R.Appan
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Tuesday, May 31, 2016
Saturday, May 28, 2016
The Ruler of Kuwait ( 5th Emir ) His Highness Sabah Al-Ahmad Al-Jaber Al-Sabah..
PENCIL DRAWING - Highness Sabah Al-Ahmad Al-Jaber Al-Sabah..
தினம் ஒரு ஓவியம் வரைவோம் - 28-05-2016
POSTER COLOUR PAINTING
The Ruler of Kuwait ( 5th Emir ) His Highness Sabah Al-Ahmad Al-Jaber Al-Sabah..
தினம் ஒரு ஓவியம் வரைவோம் - 28-05-2016
POSTER COLOUR PAINTING
The Ruler of Kuwait ( 5th Emir ) His Highness Sabah Al-Ahmad Al-Jaber Al-Sabah..
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| The Ruler of Kuwait ( 5th Emir ) His Highness Sabah Al-Ahmad Al-Jaber Al-Sabah.. |
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| The Ruler of Kuwait ( 5th Emir ) His Highness Sabah Al-Ahmad Al-Jaber Al-Sabah.. |
PENCIL DRAWING - SCENERY
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 24-05-2016
SCENERY
POSTER COLOUR PAINTING
Sunday, May 22, 2016
PENCIL DRAWING - LORD JESUS CHRIST
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 22-05-2016
LORD JESUS CHRIST
ஏசுபிரானை நாமும் வணங்கி ஆசி பெறுவோம்.
அவரது பெருமையைப் பாடுவோம்.
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| LORD JESUS CHRIST |
ஏசு பிறந்தார் அன்பு ஏசு பிறந்தார்!
வாழ்வில் ஒளி தெரியுதம்மா,
அன்னை மேரி அன்பு மகன்
ஒளியுடன் தோன்றினாரம்மா,
தொழுவம் ஒன்றில் பிறந்த பாலனே,
அன்பைப் பரப்பிய அன்பு தயாளனே,
சிலுவையின் அடித்தும் மன்னித்த தேவனே,
உயிர் விட்ட பின்னும் உயிர் பெற்ற நேசனே,
அதிசயம் நடத்தி வாழ்வளிக்கும் அன்பனே,
ஊமை பேச, முடவன் நடக்க,
இயலாத ஒன்றையும் நடத்திடும் செல்வனே,
கடவுளின் தூதனே எங்களின் தேவனே,
உன் அருள் இறங்கட்டும், எங்கள் வாழ்வு சிறக்கட்டும்,
"தட்டுங்கள் திறக்கப்படும், கேளுங்கள் கொடுக்கப்படும்"
Friday, May 20, 2016
PENCIL DRAWING - V SIGN
தினம் ஒரு ஓவியம் வரைவோம் - 19-05-2016
Showing the V sign
For The V sign is a hand gesture in which the index and middle fingers are raised and parted, while the other fingers are clenched. It has various meanings, depending on the cultural context and how it is presented.
When displayed with the palm inward towards the signer, it has long been an offensive gesture in some Commonwealth nations. In the 1940s, during World War II, a campaign by the Western Allies to use the sign with the back of the hand towards the signer (U+270C ✌ VICTORY HAND[1] in Unicode) as a "V for Victory" sign proved quite effective. During the Vietnam War, in the 1960s, the "V sign" was widely appropriated by the counterculture as a symbol of peace. Shortly thereafter, it also became adopted as a gesture used in photographs, especially in Japan.
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| V sign |
For The V sign is a hand gesture in which the index and middle fingers are raised and parted, while the other fingers are clenched. It has various meanings, depending on the cultural context and how it is presented.
When displayed with the palm inward towards the signer, it has long been an offensive gesture in some Commonwealth nations. In the 1940s, during World War II, a campaign by the Western Allies to use the sign with the back of the hand towards the signer (U+270C ✌ VICTORY HAND[1] in Unicode) as a "V for Victory" sign proved quite effective. During the Vietnam War, in the 1960s, the "V sign" was widely appropriated by the counterculture as a symbol of peace. Shortly thereafter, it also became adopted as a gesture used in photographs, especially in Japan.
PENCIL DRAWING - 3D HORSE
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 18-05-2016
3D HORSE
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| PENCIL DRAWING - 3D HORSE |
PENCIL DRAWING - KULANTHAI AMMA
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 16-05-2016
KULANTHAI AMMA
தினம் ஒரு ஓவியம் வரைவோம் - 16-05-2016
KULANTHAI AMMA
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| PENCIL DRAWING - KULANTHAI AMMA |
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| PENCIL DRAWING - KULANTHAI AMMA |
Wednesday, May 18, 2016
PENCIL DRAWING - Jeyavidhya Narasimhan
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 16-05-2016
Dr Jeyavidhya Narasimhan
தினம் ஒரு ஓவியம் வரைவோம் - 16-05-2016
Dr Jeyavidhya Narasimhan
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| Dr Jeyavidhya Narasimhan |
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| Dr Jeyavidhya Narasimhan |
Sunday, May 15, 2016
Saturday, May 14, 2016
PENCIL DRAWING - ARTIST RADHA KRISHNAN
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 14-05-2016
ARTIST RADHA KRISHNAN
தினம் ஒரு ஓவியம் வரைவோம் - 14-05-2016
ARTIST RADHA KRISHNAN
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| ARTIST RADHA KRISHNAN |
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| ARTIST RADHA KRISHNAN |
Friday, May 13, 2016
PENCIL DRAWING - Swapna Augustine Artist
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 12-05-2016
Swapna Augustine Artist
Born Without Arms, Artist Swapna Augustine has Achieved the Unimaginable
If you believe that unfavorable circumstances have been keeping you from achieving your goals, then Swapna augustine will definitely convince you that an indomitable spirit can overcome every challenge that life throws at you.
Swapna Augustine, a resident of Ernakulam, Kerala, was born without arms. However, she did not let her limitations overpower her creativity; today her paintings and works of art have stunned thousands of people at several exhibitions.
தினம் ஒரு ஓவியம் வரைவோம் - 12-05-2016
Swapna Augustine Artist
Born Without Arms, Artist Swapna Augustine has Achieved the Unimaginable
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| Swapna Augustine Artist |
Swapna Augustine, a resident of Ernakulam, Kerala, was born without arms. However, she did not let her limitations overpower her creativity; today her paintings and works of art have stunned thousands of people at several exhibitions.
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| Swapna Augustine Artist |
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| Swapna Augustine Artist |
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| Swapna Augustine Artist |
Monday, May 9, 2016
PENCIL DRAWING - Rajasekaran Scooby Anandaraj
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 29-04-2016
Rajasekaran Scooby Anandaraj
தினம் ஒரு ஓவியம் வரைவோம் - 29-04-2016
Rajasekaran Scooby Anandaraj
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Rajasekaran Scooby Anandaraj |
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Rajasekaran Scooby Anandaraj |
Saturday, May 7, 2016
HAPPY MY MOTHERS DAY
HAPPY MY MOTHERS DAY
தினம் ஒரு ஓவியம் வரைவோம் - 08-05-2016
KAMALAM
நண்பர்கள் அனைவருக்கும்
உலகில் உள்ள அன்னையர் அனைவருக்கும்
இன்று (08-05-2016)
என் இனிய அன்னையர் தின வாழ்த்துக்கள்...
நானும் என் அன்னையும் ....
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| MY MOTHER |
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| ELANGOVAN |
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| MOTHERS DAY |
Thursday, May 5, 2016
PENCIL DRAWING - Sunset
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 21-04-2016
Sunset
Sunset or sundown, is the daily disappearance of the Sun below the western horizon as a result of Earth's rotation.
The time of sunset is defined in astronomy as the moment when the trailing edge of the Sun's disk disappears below the horizon. Near to the horizon, atmospheric refraction causes the ray path of light from the Sun to be distorted to such an extent that geometrically the Sun's disk is already about one diameter below the horizon when sunset is observed.
The spinning Earth lit by the Sun as seen from far above the North Pole. All along the terminator, the rays from the sun hit Earth horizontally, neglecting any atmospheric effects and Earth's orbital motion.
Sunset is distinct from dusk, which is the time when the sky becomes completely dark (apart from artificial light). This occurs when the Sun is about 18 degrees below the horizon. The period between sunset and dusk is called twilight.
Locations north of the Arctic Circle and south of the Antarctic Circle experience no sunset or sunrise on at least one day of the year, when the polar day or the polar night persists continuously for 24 hours.
Sunset creates unique atmospheric conditions such as the often intense orange and red colors of the Sun and the surrounding sky.
தினம் ஒரு ஓவியம் வரைவோம் - 21-04-2016
Sunset
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| PENCIL DRAWING - Sunset |
Sunset or sundown, is the daily disappearance of the Sun below the western horizon as a result of Earth's rotation.
The time of sunset is defined in astronomy as the moment when the trailing edge of the Sun's disk disappears below the horizon. Near to the horizon, atmospheric refraction causes the ray path of light from the Sun to be distorted to such an extent that geometrically the Sun's disk is already about one diameter below the horizon when sunset is observed.
The spinning Earth lit by the Sun as seen from far above the North Pole. All along the terminator, the rays from the sun hit Earth horizontally, neglecting any atmospheric effects and Earth's orbital motion.
Sunset is distinct from dusk, which is the time when the sky becomes completely dark (apart from artificial light). This occurs when the Sun is about 18 degrees below the horizon. The period between sunset and dusk is called twilight.
Locations north of the Arctic Circle and south of the Antarctic Circle experience no sunset or sunrise on at least one day of the year, when the polar day or the polar night persists continuously for 24 hours.
Sunset creates unique atmospheric conditions such as the often intense orange and red colors of the Sun and the surrounding sky.
PENCIL DRAWING - BHOGAR SHIDDAR
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 05-05-2016
BHOGAR SHIDDAR
Bhogar was a South Indian by birth, belonging to the caste of goldsmiths, who became a siddha purusha under the guidance of Kalanginaathar. In Bhogar's Saptakanda he reveals details of various medicinal preparations to his disciple Pullippani (so named as he is believed to have wandered in the forests atop a puli or tiger) and at every stage he quotes his guru as the authority. Also Pulippani must have been a young man then, as he is often referred to as a balaka.
It is said that as per the last wishes of his guru, Bhogar proceeded to China to spread the knowledge of siddha sciences and strangely enough his journey is said to have been made with the aid of an aircraft; he demonstrated to the Chinese the details of the construction of the aircraft and later built for them a sea-going craft using a steam engine. The details of these and other experi- ments demonstrated by Bhogar in China are clearly documented in the Saptakanda.
Bogar's guru, Kālāngi Nāthar, is believed to be a Chinese who attained siddhi in South India and thus became included among the Eighteen Siddhars.
Lao Tse - the founder of Taoism (5th century B.C.) was the first Chinese to propound the theory of duality of matter -- the male Yang and female Yin -- which conforms to the Siddha concept of Shiva - Shakti or positive-negative forces. This very same concept was first revealed by the adi-siddhar Agasthya Rishi, whose period is as old as the Vedas, which have been conservatively dated at 3500 B.C.
Also alchemy as a science was practised in China only after B.C. 135 and was practiced as an art until B.C. 175 when a royal decree was enacted banning alchemical preparation of precious metals by the Celestial Empire; these details are recounted in the two existing Chinese books of alchemy Shih Chi and Treatise of Elixir Refined in Nine Couldrons, both dated to the first century B.C.
The emergence of Lao Tse with his theory of duality of matter and the journey of Bhogar to China seem to have taken place about the same time and it is even possible that Bhogar himself went under the name of Lao Tse in China, like another Siddharishi Sriramadevar, who was known as Yacob in Arabia.
This seems likely considering that:
before Lao Tse the concept of duality of matter finds no mention in any Chinese treatise;
alchemy as a science emerged only after B.C. 135, i.e. four centuries after Lao Tse;
there was a sudden spurt of alchemical practice aher the emergency of Lao Tse; and
the duality of matter and alchemy have been mentioned in South Indian scriptures that antidate Lao Tse by centuries.
The shrine at the top of the hill, though later than the Tiru Avinankudi temple, has overshadowed the older temple in the present century due to its popular appeal. Created by Bhogar, it was maintained after him by sage Pulippani and his descendants almost as their personal and private temple.
During the time of Tirumalai Nayak, his general Ramappayyan handed over the puja rights to newly brought Brahmin priests. The descendants of Pulippani were compensated for the loss of this right by being given:
Certain duties of superintendence
Right to some annual presents
Right to shoot off, at the Dasara Festival, the arrow which symbolises Subramanya's victory over asuras.
Right to be buried at the foot of the steps leading to the hill, if some of them so chose.
Gateway of Earth & Stone
At the top of Palani Hill, near the holy Murugan which Bhogar had crafted from nine poisonous substances, there is an opening in the Earth; it is a hole in the ground; the mouth of a cave which lies below. Bhogar often lowered himself into the Earth, sat in the cave, accessing Life's hidden secrets. He performed great austerities there, the magnitude of which very few in this modern age can fathom.
There at the opening Bhogar erected a humble shrine to the Great Mother: a few yantras, a couple of five-metal icons baring the form of the Mother and her son Murugan. He worshipped a small emerald lingam there, about ten inches in height. His one and only disciple, Pulipani (perhaps the only one who truly understood the sage), kept him company at the entrance to the underground cavern on the top of Palani Hill.
When Bhogar felt that his outer work was done, he entered the gateway of earth and stone and sat down in the darkness of the cave. Faithful Pulipani heaved a stone slab over the entrance, sealing Bhogar forever in the blackness of his earthen womb.
For thirteen generations Pulipani's descendants have watched over that stone slab that marks the gateway to the underground chamber. Long ago, Bhogar's little shrine was set atop that hallowed spot, and even today, is still worshipped by the vigilant sons of the faithful Pulipani. They say that Bhogar is seated quietly in meditation even now; alone in the darkness; watching the slow passage of time.
His breath is still. His mind is quiet, his heart unwavering; but through the dense dark matter of his earthly form stabs the vibrant & relentless flame of the Kundalini Shakti. There he waits...
முருகன் கையில் அருணகிரியார்!:மதுரையில் தாய் மீனாட்சி கிளி வைத்திருப்பதைப்போல, பழநி மலையில் முருகன் கையிலுள்ள தண்டத்திலும் ஒரு கிளி இருக்கிறது. முருகனின் அருள்பெற்ற அருணகிரியார் மீது பொறாமை கொண்ட சம்பந்தாண்டான் என்னும் புலவன் அவரை பழிவாங்க நினைத்தான். ஒருசமயம் அவன் வஞ்சனையால் பிரபுடதேவராயன் என்னும் மன்னன் மூலமாக, அருணகிரிநாதரை பாரிஜாத மலர் பறித்துவரும்படி கட்டளையிட செய்தான். அருணகிரியார், தன் உயிரை ஒரு கிளியின் உடலில் செலுத்தி, உடலை திருவண்ணாமலை கோபுரத்தில் கிடத்திவிட்டு தேவலோகம் சென்று பாரிஜாதம் கொண்டு வந்தார். இதனிடையே சம்பந்தாண்டான் அவரது உடலை தகனம் செய்துவிட்டான். கிளி வடிவில் திரும்பிய அருணகிரியார் தன் உடல் காணாமல் போனதால் திகைத்தார். முருகன் அவருக்கு அருள் செய்து தன் தண்டத்தில் அமர்த்திக் கொண்டார். இந்த அமைப்பில், தண்டத்தில் கிளி வடிவில் அருணகிரியாருடன் முருகன்காட்சி தருகிறார்.
தம்பியை காத்த அண்ணன்: சிறுவன் வடிவிலிருந்த முருகனிடம், இடும்பன் சண்டையிட முயன்றபோது, விநாயகர் அவரை காக்க வந்தார். ஆனாலும், முருகனுக்கு கிடைக்க வேண்டிய பழத்தை தான் பெற்றுக்கொண்டதால், தன் மீது அவருக்கு கோபம் இருக்கும் என்பதால், சுயவடிவத்தை மறைத்து நாக வடிவில், இடும்பனுடன் சண்டையிட்டார். இந்த விநாயகர் மலைக்கோயில் செல்லும் வழியில், இடும்பன் சன்னதி அருகில் சர்ப்பத்தின் மீது காட்சி தருகிறார். தன் வலது காலை நாகத்தின் தலை மீது வைத்துள்ளார். "சர்ப்பவிநாயகர்' என்று இவரை அழைக்கிறார்கள். மலைக்கோயில் அடிவாரத்தில் "பாதவிநாயகர்' இருக்கிறார். மலையேறும் முன்பாக இவரை வணங்கிச்செல்ல வேண்டும் என்பது ஐதீகம். இவ்விநாயகருக்கு பின்புறத்தில் முருகனின் பாதம் இருக்கிறது. இவ்விரு விநாயகர்களின் தரிசனமும் இங்கு விசேஷம்
தினம் ஒரு ஓவியம் வரைவோம் - 05-05-2016
BHOGAR SHIDDAR
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| BHOGAR SHIDDAR |
Bhogar was a South Indian by birth, belonging to the caste of goldsmiths, who became a siddha purusha under the guidance of Kalanginaathar. In Bhogar's Saptakanda he reveals details of various medicinal preparations to his disciple Pullippani (so named as he is believed to have wandered in the forests atop a puli or tiger) and at every stage he quotes his guru as the authority. Also Pulippani must have been a young man then, as he is often referred to as a balaka.
It is said that as per the last wishes of his guru, Bhogar proceeded to China to spread the knowledge of siddha sciences and strangely enough his journey is said to have been made with the aid of an aircraft; he demonstrated to the Chinese the details of the construction of the aircraft and later built for them a sea-going craft using a steam engine. The details of these and other experi- ments demonstrated by Bhogar in China are clearly documented in the Saptakanda.
Bogar's guru, Kālāngi Nāthar, is believed to be a Chinese who attained siddhi in South India and thus became included among the Eighteen Siddhars.
Lao Tse - the founder of Taoism (5th century B.C.) was the first Chinese to propound the theory of duality of matter -- the male Yang and female Yin -- which conforms to the Siddha concept of Shiva - Shakti or positive-negative forces. This very same concept was first revealed by the adi-siddhar Agasthya Rishi, whose period is as old as the Vedas, which have been conservatively dated at 3500 B.C.
Also alchemy as a science was practised in China only after B.C. 135 and was practiced as an art until B.C. 175 when a royal decree was enacted banning alchemical preparation of precious metals by the Celestial Empire; these details are recounted in the two existing Chinese books of alchemy Shih Chi and Treatise of Elixir Refined in Nine Couldrons, both dated to the first century B.C.
The emergence of Lao Tse with his theory of duality of matter and the journey of Bhogar to China seem to have taken place about the same time and it is even possible that Bhogar himself went under the name of Lao Tse in China, like another Siddharishi Sriramadevar, who was known as Yacob in Arabia.
This seems likely considering that:
before Lao Tse the concept of duality of matter finds no mention in any Chinese treatise;
alchemy as a science emerged only after B.C. 135, i.e. four centuries after Lao Tse;
there was a sudden spurt of alchemical practice aher the emergency of Lao Tse; and
the duality of matter and alchemy have been mentioned in South Indian scriptures that antidate Lao Tse by centuries.
The shrine at the top of the hill, though later than the Tiru Avinankudi temple, has overshadowed the older temple in the present century due to its popular appeal. Created by Bhogar, it was maintained after him by sage Pulippani and his descendants almost as their personal and private temple.
During the time of Tirumalai Nayak, his general Ramappayyan handed over the puja rights to newly brought Brahmin priests. The descendants of Pulippani were compensated for the loss of this right by being given:
Certain duties of superintendence
Right to some annual presents
Right to shoot off, at the Dasara Festival, the arrow which symbolises Subramanya's victory over asuras.
Right to be buried at the foot of the steps leading to the hill, if some of them so chose.
Gateway of Earth & Stone
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| BHOGAR SHIDDAR |
At the top of Palani Hill, near the holy Murugan which Bhogar had crafted from nine poisonous substances, there is an opening in the Earth; it is a hole in the ground; the mouth of a cave which lies below. Bhogar often lowered himself into the Earth, sat in the cave, accessing Life's hidden secrets. He performed great austerities there, the magnitude of which very few in this modern age can fathom.
There at the opening Bhogar erected a humble shrine to the Great Mother: a few yantras, a couple of five-metal icons baring the form of the Mother and her son Murugan. He worshipped a small emerald lingam there, about ten inches in height. His one and only disciple, Pulipani (perhaps the only one who truly understood the sage), kept him company at the entrance to the underground cavern on the top of Palani Hill.
When Bhogar felt that his outer work was done, he entered the gateway of earth and stone and sat down in the darkness of the cave. Faithful Pulipani heaved a stone slab over the entrance, sealing Bhogar forever in the blackness of his earthen womb.
For thirteen generations Pulipani's descendants have watched over that stone slab that marks the gateway to the underground chamber. Long ago, Bhogar's little shrine was set atop that hallowed spot, and even today, is still worshipped by the vigilant sons of the faithful Pulipani. They say that Bhogar is seated quietly in meditation even now; alone in the darkness; watching the slow passage of time.
His breath is still. His mind is quiet, his heart unwavering; but through the dense dark matter of his earthly form stabs the vibrant & relentless flame of the Kundalini Shakti. There he waits...
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| BHOGAR SHIDDAR |
தம்பியை காத்த அண்ணன்: சிறுவன் வடிவிலிருந்த முருகனிடம், இடும்பன் சண்டையிட முயன்றபோது, விநாயகர் அவரை காக்க வந்தார். ஆனாலும், முருகனுக்கு கிடைக்க வேண்டிய பழத்தை தான் பெற்றுக்கொண்டதால், தன் மீது அவருக்கு கோபம் இருக்கும் என்பதால், சுயவடிவத்தை மறைத்து நாக வடிவில், இடும்பனுடன் சண்டையிட்டார். இந்த விநாயகர் மலைக்கோயில் செல்லும் வழியில், இடும்பன் சன்னதி அருகில் சர்ப்பத்தின் மீது காட்சி தருகிறார். தன் வலது காலை நாகத்தின் தலை மீது வைத்துள்ளார். "சர்ப்பவிநாயகர்' என்று இவரை அழைக்கிறார்கள். மலைக்கோயில் அடிவாரத்தில் "பாதவிநாயகர்' இருக்கிறார். மலையேறும் முன்பாக இவரை வணங்கிச்செல்ல வேண்டும் என்பது ஐதீகம். இவ்விநாயகருக்கு பின்புறத்தில் முருகனின் பாதம் இருக்கிறது. இவ்விரு விநாயகர்களின் தரிசனமும் இங்கு விசேஷம்
Monday, May 2, 2016
PENCIL DRAWING - Leonardo da Vinci
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 02-05-2016
Leonardo da Vinci
Leonardo di ser Piero da Vinci, more commonly Leonardo da Vinci or simply Leonardo, was an Italian polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, ... Wikipedia
Born: April 15, 1452, Vinci, Italy
Died: May 2, 1519, Amboise, France
Influenced: Raphael, Peter Paul Rubens, Bernardino Luini, Pontormo, Antonio da Correggio
Fields: Painting, Geometry, Anatomy
தினம் ஒரு ஓவியம் வரைவோம் - 02-05-2016
Leonardo da Vinci
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| Leonardo da Vinci |
Leonardo di ser Piero da Vinci, more commonly Leonardo da Vinci or simply Leonardo, was an Italian polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, ... Wikipedia
Born: April 15, 1452, Vinci, Italy
Died: May 2, 1519, Amboise, France
Influenced: Raphael, Peter Paul Rubens, Bernardino Luini, Pontormo, Antonio da Correggio
Fields: Painting, Geometry, Anatomy
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| Leonardo da Vinci |
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| Leonardo da Vinci |
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| MONALISA |
PENCIL DRAWING - Che Guevara
PENCIL DRAWING
தினம் ஒரு ஓவியம் வரைவோம் - 01-05-2016
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| Che Guevara |
Guerrillero Heroico
Picture taken by Alberto Korda on March 5, 1960, at the La Coubre memorial service.
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| Che Guevara |